06 March 2007
Into Great Silence
Philip Gröning’s Into Great Silence is pure cinema at its purest and most exalted. Its achievement virtually defies commentary; a critic has only words with which to illuminate a film, but how can what is wrought in silence be illumined by words?
Filmmakers from Bresson to Tarkovsky to Malick to the Dardenne brothers have sought creative freedom in formal austerity, assiduously stripping away the superfluous and superficial to create space for the essential, the transcendent. Into Great Silence is both a work in a kindred spirit, and an immersion in a divesting of inessentials, not merely as a creative discipline or aesthetic philosophy, but as a total commitment, a way of life, a world unto itself.
Filmmakers from Bresson to Tarkovsky to Malick to the Dardenne brothers have sought creative freedom in formal austerity, assiduously stripping away the superfluous and superficial to create space for the essential, the transcendent. Into Great Silence is both a work in a kindred spirit, and an immersion in a divesting of inessentials, not merely as a creative discipline or aesthetic philosophy, but as a total commitment, a way of life, a world unto itself.
Subscribe to:
Post Comments (Atom)
1 comment:
Ooooh, thanks for the reminder!!!
Post a Comment